In street photography, it’s great to see a demonstrative gesture, unless it’s an upraised finger telling you to shove off. I like gestures for one very good reason. They contain their own decisive moment.
Gestures are a form of visual language, perhaps without the syntax of signing (for people who cannot hear), but nonetheless a language which carries meaning — often aimed at those who certainly can hear but don’t want to listen.
Gestures have meanings such as: “Watch out!” “Isn’t it obvious!” or “I don’t care.”
Sometimes it’s essential to see the movement of a gesture to understand it fully. When you ask if a person is feeling better you may get a silent wave of the hand in a seesaw motion which means “So-so,” (neither better nor worse). That’s not a great reply from the street photographer’s point of view.
Over in a Flash
It’s not easy to photograph gestures. They last only a split second and they’re very hard to anticipate.
The best way to get them is to find someone who chatting with a friend and making constant gestures to illustrate their conversation. You’re guaranteed to get a result if you time the shot perfectly.
My featured image at the top of this post shows two young men making playful grabs at some passing girls. Neither of the girls shows any interest whatsoever, which is rather the point of the photo. They even ignore the camera.
This is the “Watch out!” moment, as demonstrated by a young woman who’s in charge of the ferry boats as they pull in to dock on the Chao Praya in Bangkok. I wanted to take a picture of her because I love the jacket.
Looking at the shot closely on my return to base I could see that her outstretched arm is greatly lengthened by extra-long fingernails. That was a “plus” I hadn’t expected.
Sometimes gestures are much more subtle and therefore harder to interpret. My last shot falls into this category.
Here, the subject is in animated conversation with someone off-camera. I happen to know the other person was a male who seemed to be trying to chat-up two girls at once, outside a beauty salon.
He was making progress, but there was some verbal sparring and the members of the group soon went their separate ways. This time, the subject’s hesitant gesture was reinforced by the seemingly brutal manoeuvre demonstrated in the poster.
Two gestures for the price of one.